The Grapes of Death

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Co-written with Céline Sciamma, Noémie Merlant’s bright and bold film follows three friends as they try to dispose of the body of an abuser they’ve accidentally killed.

A twelve-year-old boy befriends a mysterious girl with a dark secret, in Tomas Alfredson’s grownup tale of childhood vampirism.

A modern-day witch uses spells and magic to get men to fall in love with her, in Anna Biller's outrageous tribute to 1960s Technicolor melodramas.

Old sins refuse to be forgotten in Romola Garai’s gothic horror and hauntingly atmospheric debut feature.

The allure of the serial killer is explored in this deeply unsettling and unforgettable exploration of the impact of extreme violence.

Jean Rollin’s hauntingly poetic horror about a man trying to solve the riddle of a tormenting childhood memory.

Jean Rollin’s best-known film is the most full-blooded of his vampire tales, teeming with sex and lavishly filmed gore scenes

Jean Rollin’s stylish and futuristically surreal horror about patients at a mysterious clinic whose memories are disintegrating.

Two female fugitives hide out in a deserted castle, only to become embroiled in a plot to extend the bloodline of a horde of blood-crazed vampires.

Jean Rollin’s second vampire film is a mesmerisingly surreal art-horror, short on logic but steeped in gorgeously sensual imagery.

Newlyweds visit their cousins at a remote rural chateau, finding them under the spell of two vampire girls.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.