The Iron Rose

A life-size blow-up doll comes to life and falls in love with a video store clerk in Kore-eda Hirokazu’s haunting, melancholy meditation on urban alienation.

Hailed as ‘Poland’s first LGBT film’, Tomasz Wasilewski’s striking drama follows a champion swimmer whose gay relationship causes ripples.

Bleakly funny comedy-drama starring Maggie O’Neill as a middle-aged woman who begins dating a mysterious biker, whose flamboyant son is a social media influencer.

Victor Erice’s second masterpiece, following The Spirit of the Beehive, is a rarely seen meditation on memory, deception and Spain’s 20th-century history.

Sofía Otero ignites this warm, rich Spanish drama woven from a child’s probing question: who am I?

Miguel, a young married fisherman with a baby on the way, struggles to reconcile his devotion to his male lover within his town’s rigid traditions.

Jean Rollin’s best-known film is the most full-blooded of his vampire tales, teeming with sex and lavishly filmed gore scenes

Jean Rollin’s stylish and futuristically surreal horror about patients at a mysterious clinic whose memories are disintegrating.

Two female fugitives hide out in a deserted castle, only to become embroiled in a plot to extend the bloodline of a horde of blood-crazed vampires.

Jean Rollin’s second vampire film is a mesmerisingly surreal art-horror, short on logic but steeped in gorgeously sensual imagery.

Newlyweds visit their cousins at a remote rural chateau, finding them under the spell of two vampire girls.

A life-size blow-up doll comes to life and falls in love with a video store clerk in Kore-eda Hirokazu’s haunting, melancholy meditation on urban alienation.

Hailed as ‘Poland’s first LGBT film’, Tomasz Wasilewski’s striking drama follows a champion swimmer whose gay relationship causes ripples.

Bleakly funny comedy-drama starring Maggie O’Neill as a middle-aged woman who begins dating a mysterious biker, whose flamboyant son is a social media influencer.

Godard's playful tribute to the Hollywood pulp crime movies of the 1940s, executed with typically Gallic cool.

Victor Erice’s second masterpiece, following The Spirit of the Beehive, is a rarely seen meditation on memory, deception and Spain’s 20th-century history.

Brilliantly mixing archive film and music, Liverpool-born director Terence Davies reflects with wit and wisdom on a times of change, for good or ill