The Fall of the House of Usher

A pastor’s daughter in an isolated religious community kills her abusive husband, unleashing the force of a supernatural Beast.

A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

A group of guests assembled at a country house swap uncanny and supernatural stories in this classic Ealing chiller from 1945.

The restless spirit of a highwayman looks back over a lurid life of sin as his worm-ridden corpse rots on the gallows.

Tense, morally complex political thriller about a man hunting down fugitive war criminals from the Assad regime in Syria, inspired by true events.

Tom Blyth and Russell Tovey lead a Sundance-prize winning ensemble in this knockout cruising drama from debut director Carmen Emmi.

Paul Kelly’s second collaboration with pop band Saint Etienne traces the hidden history of East London’s Lower Lea Valley before its Olympic makeover.

A gentle and sincere story of queer love between two young teenage boys, told with warmth and humour.

A journey from London’s suburbs to its heart, charting the influence of the city on indie pop band Saint Etienne.

The final part of Saint Etienne and Paul Kelly’s London trilogy follows the renovation and reopening of the Royal Festival Hall through 2005-7.