Soho

Tassel-spinning showgirl Tina stars in this rare 60s British burlesque stage show reel.

Soho 'glamour' filmmaker George Harrison Marks plays girl-hungry vampire Count Dracula III in this strange striptease short

Glamour goddess Pamela Green reveals all in a key ‘60s striptease collaboration with George Harrison Marks.

1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.

Minty’s hobbies include drinking tea, smoking roll-ups and falling into a coma, while Anton dreams of clinically depressed sheep breaking into the house.

Part of Wonderful London, the BFI National Archive’s programme of restored London travelogues, filmed in the capital in the 1920s.

A children’s guide to bustling Soho, with a glimpse of its music industry, architecture and thriving restaurant scene.

Impressions of London's Chinatown during the Chinese new year celebrations for the Year of the Ox.

This ultra-kitsch documentary goes behind the scenes at Murray's Cabaret Club, where Christine Keeler was later a showgirl.

Derek Jarman features in this touching documentary about the Sisters of Perpetual Indulgence.

The sales practices employed at the LPE Superette run by John Beasley at Berwick Street market.

Tassel-spinning showgirl Tina stars in this rare 60s British burlesque stage show reel.

Afrika Bambaataa and DJ, musician and filmmaker Don Letts discuss the development of Afrofuturism and its key artists.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

L.A. Confidential's screenwriter explains why he thinks writer's block is a myth, and reveals Clint Eastwood's unique powers of persuasion.

Irma Vep writer/director Assayas moved from film journalism to filmmaking – a fascinating journey told with disarming honesty to Jonathan Romney.