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Haunted by rising sea levels, a daughter digs up her father’s grave in BAFTA-nominated director Elham Ehsas' climate film.

Writer and director Mike Figgis (Leaving Las Vegas) picks the three films you must see on BFI Player.

On the morning of her wedding, Mona, a British-Indian woman, questions her rushed marriage and reflects on a period of self-discovery from her past.

Neeraja Raj's animated musical comedy about an unexpected guest interrupting a romantic make-out session, positively encourages naval-gazing.

Writer-director Thea Gajić and cast members Slavko Sobin and Olive Gray talk about their film Surviving Earth on stage at BFI Southbank.

Rose of Nevada star Callum Turner picks the three films you must see on BFI Player.

During a sizzling summer in the noughties, a gang of South London schoolgirls face strange sexual awakenings, which culminate in a visceral fate.

Writer and roller skater Jessica Holland celebrates the impact of Skate Kitchen, Crystal Moselle's Sundance-nominated NYC coming-of-age tale.

The power of the past spans the divide between Nigeria and the UK in this beautiful tale of intersecting lives.

Steve is desperate for his sisters to prove his innocence as Izzy and Jess are fighting to preserve their safe space.

The writer, actor and director of The Chronology of Water picks the three films you must see on BFI Player

A teenage girl navigates friendship groups, social awkwardness and boys in this sharp coming of age drama.

Rewinding the tape to a bygone era when rock bands not only still rocked, but feuded and rock documentaries caught it all on camera.

An extended Q&A with Kristen Stewart and Imogen Poots, director and star of The Chronology of Water, led by Rhianna Dhillon. .

Christian Petzold talks about his film Miroirs No. 3 on stage at BFI Southbank.

Carol Morley mixes memory and fantasy into a tragedy, says critic, writer and film programmer Jannat Suleman.

An extended Q&A with the co-directors of D is for Distance.

Northumbria University student Katarina Vratonjic explains why Derek Jarman’s 1993 experimental biopic is worth watching.