Gozu

A modern-day witch uses spells and magic to get men to fall in love with her, in Anna Biller's outrageous tribute to 1960s Technicolor melodramas.

Greta Gerwig plays the carefree intern who finds herself at the centre of a love triangle with two co-workers, in this charming 'mumblecore' rom-com.

Soulful story of the love and war between a queer woman and her mother, spanning across decades and continents.

Jack Nicholson is at his very best in this highly-acclaimed dramatic comedy from Hal Ashby about three sailors on the loose.

Taxi zum Klo is a refreshingly guilt-free gay movie from West Germany about a promiscuous teacher, played by director Frank Ripploh.

Jackie Chan’s rip-roaring action-adventure about a coastguard hot on the trail of a ruthless band of pirates in late 19th century Hong Kong.

A struggling street food vendor accepts help from an elderly lady with a sensational recipe up her sleeve, in Naomi Kawase's bittersweet drama of culinary redemption.

Koreeda’s drama about four children left to fend for themselves is a heartbreaking study of childhood neglect.

Koreeda’s subtle, moving account of the tensions within a family is his most Ozu-like film.

A professional cellist gets a new job as an assistant mortician in this delightful and bittersweet drama, winner of the Best Foreign Language Film Oscar® in 2009.

A beautiful and contemplative portrait of grief from Cannes-winning filmmaker Naomi Kawase (Sweet Bean, Still the Water).

After a schoolgirl is molested on the notorious 'groper train' in their town, a group a schoolgirls band together to emact revenge.

Takashi Miike burst to international prominence with this deeply disturbing tale of a deadly young woman who turns the tables on her middle-aged suitor.

After his mother wakes from a coma in 1990, a young man goes to great lengths to pretend East Germany still exists in this wonderfully bittersweet tragicomedy.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.