Fox and His Friends

Věra Chytilová's first feature is an important work of women's cinema, which contrasts the parallel stories of a gymnast (filmed as documentary) and a housewife (told as fiction).

Věra Chytilová's symbolic retelling of the Adam and Eve story is a ravishing tapestry of ideas, textures, and visual tropes.

A rich sadist kidnaps a woman to subject to his elaborate S&M games, but she soon turns the tables... Piero Schivazappa's erotic thriller explodes with eye-popping psychedelic production design.

Josh Appignanesi's art-world psycho-thriller blends reality and fiction to delirious effect, in its tale of an exhibition curator pursued by a mysterious figure.

Sophia Loren searches for the husband she lost at the Russian Front (Marcello Mastroianni) in this sweeping romance epic with echoes of Doctor Zhivago.

Luchino Visconti's final film is a brilliant and disturbing drama set against the opulent backdrop of decadent, late 19th-century aristocracy.

Peter Lorre is unforgettable as the compulsive child murderer on the run from both police and criminals alike, in Fritz Lang’s seminal crime film.

Fassbinder’s first foray into melodrama follows an ex-policeman forced to become a fruit-seller, while his wife craves bourgeois respectability and his family despises his lowly status.

Psychodrama with a vengeance: Anna Karina stars in Fassbinder’s first international co-production; another deadly assault on the institution of marriage.

Fassbinder's exquisitely subtle rendition of Fontane’s great novel, starring the great Hanna Schygulla as the titular 17-year-old who is forced into a socially advantageous marriage with a much older man.

In an elegant Spanish hotel lobby, a film cast and crew outdo one another in displays of professional and sexual rivalry while waiting endlessly for shooting to begin.

Roberto Rossellini’s film with Ingrid Bergman exploring the inner turmoil of a woman pushed to the edge through the guilt of her infidelity.

Wim Wenders invites a group of filmmakers at the 1982 Cannes Film Festival – including Godard, Fassbinder, Herzog and Spielberg – to discuss cinema.

In an elegant Spanish hotel lobby, a film cast and crew outdo one another in displays of professional and sexual rivalry while waiting endlessly for shooting to begin.

Fassbinder's exquisitely subtle rendition of Fontane’s great novel, starring the great Hanna Schygulla as the titular 17-year-old who is forced into a socially advantageous marriage with a much older man.

A Greek immigrant unleashes jealousy and xenophobia among a group of Munich neighbours in Fassbinder’s shocking adaptation of his own play.

Fassbinder stars in his debut feature as a petty criminal whose desire for freedom is undermined by his emotional needs.

In an elegant Spanish hotel lobby, a film cast and crew outdo one another in displays of professional and sexual rivalry while waiting endlessly for shooting to begin.

Fassbinder’s international breakthrough, this unconventional love story combines lucid social analysis with devastating emotional power.

With a blazing star performance from Hanna Schygulla in the title role, this was the greatest critical and commercial success of Fassbinder’s career.

Fassbinder’s first foray into melodrama follows an ex-policeman forced to become a fruit-seller, while his wife craves bourgeois respectability and his family despises his lowly status.

Fassbinder's exquisitely subtle rendition of Fontane’s great novel, starring the great Hanna Schygulla as the titular 17-year-old who is forced into a socially advantageous marriage with a much older man.

Fassbinder's visual and verbal extravaganza about a successful but lonely fashion designer who falls in love with a beautiful younger woman.

Shinya Tsukamoto's sequel has the Iron Man transforming into a cyberkinetic gun when a gang of vicious skinheads kidnap his son.

Shinya Tsukamoto's wild cyberpunk tale of a businessman's agonising transformation into a walking scrap heap is a jaggedly dehumanised vision of the future.

Ground-breaking documentary that uses archive film to tell the story of the British Deaf community’s fight for civil rights.

Věra Chytilová's dark, post-communist comedy. After a veterinary surgeon is sexually assaulted by two men, she uses her particular expertise in castraton to exact her revenge…

Věra Chytilová's first feature is an important work of women's cinema, which contrasts the parallel stories of a gymnast (filmed as documentary) and a housewife (told as fiction).

Věra Chytilová's symbolic retelling of the Adam and Eve story is a ravishing tapestry of ideas, textures, and visual tropes.