Working Class Heroes

Carine Adler’s sexy and dark debut, starring Samantha Morton in her first major feature film role.

What if an immaculate conception took place in a South London household? Idris Elba stars in a subtle, thought-provoking and original family drama.

Robert Carlyle and Ray Winstone are members of a criminal gang that tears itself apart after a heist goes wrong, in Antonia Bird’s stylish thriller.

Pasolini’s classic about a handsome, enigmatic stranger (Terence Stamp) who arrives at a bourgeois household and seduces an entire family.

Andrea Arnold’s highly acclaimed film, winner of top prizes at Cannes and the BFI London Film Festival, is a haunting drama about a woman confronting past demons.

Clio Barnard's film about Bradford playwright Andrea Dunbar mixes reconstruction, interviews (performed by actors) and scenes from the plays.

Duane Hopkins’ follow up to Better Things is a striking, poetic drama about a young man on the edge.

Menelik Shabazz’s pioneering first feature traces the emotional and political growth of a young black couple in Thatcher’s London.

In modern Liverpool, a couple meet and begin a transgressive, sexually charged affair set against a background of crime and encroaching danger.

Russell Brand ponders his political awakening and messianic tendencies in Ondi Timoner’s perceptive and very funny documentary.

In a remote part of Scotland, teenager Shell develops an intense relationship with her reclusive father.

A teen seeks meaning as an East Anglian summer and a violent outsider threaten to overwhelm.

Ashley Walters impresses in the hard-hitting Hackney drama that’s still one of the best of Britain’s black urban crime films.

Sally El Hosaini's feature debut tells of the love and disenchantment of two British-Egyptian brothers. Gangs, drugs and sexuality come between them

Hailed as Britain's first black feature film, Pressure is a hard-hitting, honest document of the plight of disenchanted black youths in 1970s London.

A young couple whose relationship has divided a community are forced on the run through the streets and moors of nocturnal Yorkshire.

Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory.

The Terence Davies Trilogy reaches its astonishing climax as tortured Liverpool clerk Robert Tucker prepares to meet his maker.

The first part of Bill Douglas’ poetic and profoundly stirring autobiographical trilogy, about an eight-year-old boy growing up in a Scottish mining village in 1945.

The second part of the revered Bill Douglas Trilogy follows Jamie as he ends up in a children’s home.

Concluding his acclaimed Trilogy, Bill Douglas’ autobiographical film follows young Jamie as he’s conscripted in the RAF and finally feels at home.

The first part of Terence Davies' formidable Trilogy explores the effects of violence on a Liverpool schoolboy, told in a series of flashbacks.

Autobiography as art: the centrepiece of Terence Davies' devastating Liverpool-set Trilogy focuses on his fictional alter-ego in middle age.