The Arbor

Tilda Swinton narrates the extraordinary journey of Gertrude Bell, a singular woman who played a significant – often unrecognised – role in British imperial policy making in Iraq.

Simultaneously a love letter and a farewell, this documentary charts the last few months of acclaimed director Nicholas Ray through the eyes of Wim Wenders.

Niles Atallah's wild, inspired history of French adventurer Orélie-Antoine de Tounens, told via puppetry, stop-motion and degraded film stock.

A dreamlike fantasy examining the day-to-day life of a sixteen-year-old schoolboy which was shot at Bryanston School, an independent school.

Desperate Optimists' deliriously deconstructed biopic of the extraordinary Ambrosio O'Higgins, who left Ireland to become the captain general of Chile in the Spanish Empire.

David Lynch's moving true-life tale of the severely deformed Joseph Merrick and his rescue from the hell of a Victorian circus sideshow.

Apichatpong's Cannes prizewinner, about an ailing man revisiting his past, is a measured, lyrical evocation of mysterious beauty and quiet humanity.

Yorgos Lanthimos' scary, witty tale of a dysfunctional Greek family is original, ingenious and sadly relevant as a study of parent-child relationships

An ageing countess finds that if she bathes in the blood of virgins her youth is restored.

Willem Dafoe plays the controversial filmmaker Pier Paolo Pasolini in this dark, daring drama about the director’s final days, from Abel Ferrara.

An unforgettable, compelling account of the production and subsequent restoration of a withheld film recording the liberation of Nazi concentration camps in 1945.

A séance results in a man’s first wife returning from the dead in Noël Coward’s wonderful comedy.

Marco Ferreri's provocative and controversial satire about four friends who retreat to a country mansion with the intention of eating themselves to death.

Jean-Luc Godard and Jean-Pierre Gorin's radical film deconstructs both a factory strike and the Hollywood western - simultaneously.

Godard's case study of an Italian girl's inner struggle to reconcile her revolutionary intent with her ingrained bourgeois tendencies.

The first film in Jean-Luc Godard's 'radical' period finds the director rejecting established notions of narrative and authorship to present a dialectic response to the events of May '68.

Godard recreates the trial of the Chicago Eight (charged with protesting the 1968 Democratic Party convention) in typically playful, anarchic and confrontational style.

The Brothers Quay take on the Babylonian epic of Gilgamesh, presenting the character as a childlike figure who sets a series of vicious traps to catch Enkidu, the guileless forest creature.