Carmarthen Railway Activities

Jim Fraser of Bristol, with great affection for his subject, introduces the viewer to the “quaint little railways and tramways” of Wales.

Shy and testy retired signalman Wally Trigg chats to amateur filmmaker and railway enthusiast Chib Thorp, as Micky the Collie happily ambles along the overgrown railway line.

A full size replica of Robert Stephenson’s world famous locomotive, The Rocket, steams up a 1920s crowd at the North Road Works in Darlington.

At the heart of the Talyllyn Railway are the volunteers – e.g. schoolboys, bus drivers, actors – whose commitment ensures the line’s continuance, despite the odd derailment.

The West Sussex Downsman railtour visits Midhurst, eminent Victorians appear in Petersfield and part of the town's railway fabric is demolished just before its centenary

Church bells, organs and choirs are all sounds you'd expect to hear at a church - but what about the sound of a steam locomotive at full tilt?

Standing room only when the Gorsedd members process through the eisteddfod crowd in Carmarthen but there are seats for those festival-ed out!

Members of the Old Girls' Association of Carmarthen's Queen Elizabeth Grammar School for Girls meet on the school courts with some gentlemen.

The Vetch Field stadium in Swansea is occupied by Urdd Gobaith Cymru – The Welsh League of Hope – for 2 days of mass gymnastics in June 1933.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.