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A reel of 8mm film undergoes a mysterious transformation through refilming, colour changing and printing
Deck re-photographs a reel of 8mm film, which undergoes a mysterious transformation through refilming, colour changing and printing. “During a voyage by boat to Finland, the camera records three minutes of black and white 8mm of a woman sitting on a bridge. The preoccupation of the film is with the base and with the transformation of this material, which was first refilmed on a screen where it was projected by multiple projectors at different speeds and then secondly amplified with colour filters, using positive and negative elements and superimposition on the London Co-op’s optical printer.” (Gill Eatherley)
Eatherley is a filmmaker known for her expanded cinema work. Deck is a rare single-screen work in which she nevertheless manages to suggest an expanded cinema experience. Founded in 1966, the London Film-Makers’ Co-operative started life at Better Books, a counter-culture bookshop on Charing Cross Road, where a group led by poet Bob Cobbing and filmmakers Stephen Dwoskin and Jeff Keen met to screen films. Initially inspired by the activities of the New American Cinema Group in New York, the London Co-op grew into a pioneering organisation that incorporated a film workshop, cinema space and distribution office. During its four-decade history, the Co-op played a crucial role in establishing film as an art form in the UK and participated in a vibrant international film scene. This BFI Player collection brings together new scans of films distributed by and/or produced at the London Co-op.