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Emily (Third Party Speculation)
Filmed in a closed domestic environment, this film investigates the question of identification and point of view in cinema.
Emily - Third Party Speculation is the second of a ‘domestic trilogy’ exploring the relationship between the restricted camera viewpoint and the construction of documentary narrative. The other two films in the series are Blackbird Descending - tense alignment and Finnegan's Chin - temporal economy. Constructed around the repetition of ‘neutral’ domestic scenes, this film attempts to address the problems of identification in cinema.
Founded in 1966, the London Film-Makers’ Co-operative started life at Better Books, a counter-culture bookshop on Charing Cross Road, where a group led by poet Bob Cobbing and filmmakers Stephen Dwoskin and Jeff Keen met to screen films. Initially inspired by the activities of the New American Cinema Group in New York, the London Co-op grew into a pioneering organisation that incorporated a film workshop, cinema space and distribution office. During its four-decade history, the Co-op played a crucial role in establishing film as an art form in the UK and participated in a vibrant international film scene. This BFI Player collection brings together new scans of films distributed by and/or produced at the London Co-op.