The 400 Blows

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.

This influential Dracula adaptation contains some of the most famous images of expressionist film, and remains shocking and stylish after 100 years.

Hailed as Britain's first black feature film, Pressure is a hard-hitting, honest document of the plight of disenchanted black youths in 1970s London.

The late, great Harry Dean Stanton's finest role came as the near-mute Travis, on a journey across America to reunite his family, in Wim Wenders' moving tale of loss and redemption.

Technology and sexuality meet in head-on collision in David Cronenberg’s controversial adaptation of writer J.G. Ballard’s transgressive 1973 novel.

Given extraordinary freedom by Hollywood studio RKO for his debut film, boy wonder Orson Welles created this notoriously brilliant portrait of a media giant.

Chantal Akerman's magnificent epic of experimental cinema offering a feminist perspective on recurrent events of everyday life.

The last days of the Sun King, evoked with sombre beauty by Albert Serra. The legendary Jean-Pierre Léaud brings ineffable presence to the title role.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

Catherine Deneuve shines as the director and lead actor of a Parisian theatre struggling to survive under the Nazi occupation in Truffaut's wartime drama.

Truffaut’s Palme d'Or-nominated account of an ill-starred adulterous affair boasts Hitchcockian precision and pitch-perfect performances.

François Truffaut’s hugely popular classic depicts one of cinema’s most captivating love triangles

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Happily married Bernard (Gérard Depardieu) has his life is thrown into turmoil when Mathilde (Fanny Ardant) - an old flame - moves into the house opposite.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.