Full Circle: The Haunting of Julia

Co-written with Céline Sciamma, Noémie Merlant’s bright and bold film follows three friends as they try to dispose of the body of an abuser they’ve accidentally killed.

A twelve-year-old boy befriends a mysterious girl with a dark secret, in Tomas Alfredson’s grownup tale of childhood vampirism.

A modern-day witch uses spells and magic to get men to fall in love with her, in Anna Biller's outrageous tribute to 1960s Technicolor melodramas.

Old sins refuse to be forgotten in Romola Garai’s gothic horror and hauntingly atmospheric debut feature.

The allure of the serial killer is explored in this deeply unsettling and unforgettable exploration of the impact of extreme violence.

A recently married couple find their lives turning upside down as a result of the husband’s nocturnal behaviour.

A troubled young sheep farmer falls for a hired hand in this stunning debut from Francis Lee.

Billie Piper stars in her own directorial debut, a no-holds-barred, Fleabag-esque anti-romcom about a modern woman’s struggles in work and love.

A gorgeous and colourful heart-warming gem from Charlotte Regan, one of the best new voices in British film.

A dying landscape is healed against all odds, going on to thrive in astonishing ways, in this hopeful story of ecological regeneration.

A coming-of-age tale about a father-son relationship that might just be out of this world.

A British-Palestinian drag performer catches the eye of a strait-laced white man in Amrou Al-Kadhi’s stunning, semi-autobiographical debut.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.