A Mother Should be Loved

In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.

Chikako (Yoshiko Okada) works hard to pay her brothers Ryoichi’s (Ureo Egawa) college fees, but disaster looms when he learns the true nature of her work.

Young father Shuji turns to crime to pay his daughter's medical bills in Ozu's masterly early drama.

A seemingly ordinary typist moonlights as a fun-loving gangster's moll in one of Ozu's most enduring silent films.

Abandoned by their mother, sisters Akiko (Ineko Arima) and Takako (Setsuko Hara) live with their father Shukichi (Chishu Ryu). When Akiko falls into desperate trouble, she turns away from her family.

Ruth Rendell provides the source novel for this delicious tale of deception and identity, from the master of mischievous melodrama, François Ozon.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Yasujiro Ozu's influential masterpiece is a tender meditation on family politics, sacrifice and the status quo.

Ozu's deft comedy takes an ironic look at the decline of paternal authority.

Profiling one of the great directors of World Cinema, Wim Wenders delivers this moving portrait of Japanese auteur Yasujiro Ozu.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.

After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from extended family, in Ozu's incisive satire.

Ozu's silent masterpiece follows two brothers as they try to outwit the local bully.

After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from extended family, in Ozu's incisive satire.

Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece.

Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.

Young father Shuji turns to crime to pay his daughter's medical bills in Ozu's masterly early drama.

Ozu's wonderfully poised ensemble work presents the intricacies and contradictions of three generations who have lived through the end of an era and are looking towards the new.

A seemingly ordinary typist moonlights as a fun-loving gangster's moll in one of Ozu's most enduring silent films.

Ryan Gosling plays the stunt double leading another life as a getaway driver in Nicolas Winding Refn's timeless cult thriller.

A climate of fear and mistrust pervades Budapest after the 1956 Uprising, the setting for the last part of Márta Mészáros’ outstanding Diary trilogy.

The first part of Márta Mészáros' award-winning autobiographical Diary trilogy, set in Hungary from 1947 to 1953.

A thoughtful, observational drama about a young woman’s fight to retain her integrity despite falling in love.

The second part of Márta Mészáros’ triumphant Diary trilogy focuses on Juli starting to realise her dream of becoming a director.

Britain beats to the sound of Bhangra and Bangla in Gurinder Chadha's debut film.