A Mother Should be Loved

Chikako (Yoshiko Okada) works hard to pay her brothers Ryoichi’s (Ureo Egawa) college fees, but disaster looms when he learns the true nature of her work.

In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.

Young father Shuji turns to crime to pay his daughter's medical bills in Ozu's masterly early drama.

A seemingly ordinary typist moonlights as a fun-loving gangster's moll in one of Ozu's most enduring silent films.

Abandoned by their mother, sisters Akiko (Ineko Arima) and Takako (Setsuko Hara) live with their father Shukichi (Chishu Ryu). When Akiko falls into desperate trouble, she turns away from her family.

Carine Adler’s sexy and dark debut, starring Samantha Morton in her first major feature film role.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Yasujiro Ozu's influential masterpiece is a tender meditation on family politics, sacrifice and the status quo.

Ozu's deft comedy takes an ironic look at the decline of paternal authority.

Profiling one of the great directors of World Cinema, Wim Wenders delivers this moving portrait of Japanese auteur Yasujiro Ozu.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.

After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from extended family, in Ozu's incisive satire.

After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from extended family, in Ozu's incisive satire.

Ozu's silent masterpiece follows two brothers as they try to outwit the local bully.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.

Chikako (Yoshiko Okada) works hard to pay her brothers Ryoichi’s (Ureo Egawa) college fees, but disaster looms when he learns the true nature of her work.

Shuhei Horikawa (Chishy Ryu) sacrifices his teaching career after an unfortunate accident but refuses to sacrifice the education of his only son.

Karel Zeman's astonishing fantasy mixes live-action and animation to tell the adventures of a ploughman and a mercenery during the Thirty Years War.

Karel Zeman’s wildly inventive and comic take on the surreal adventures of the bragging Baron explodes on to the screen in a riot of colour, visual wit and poetic verve.

The living and the dead coexist in Kiyoshi Kurosawa’s Cannes-winning meditation on love and loss.

A beautiful and contemplative portrait of grief from Cannes-winning filmmaker Naomi Kawase (Sweet Bean, Still the Water).

Kiyoshi Kurosawa's a nerve-shredding thriller about the hunt for a serial killer in a bleak and decaying Tokyo.

After a schoolgirl is molested on the notorious 'groper train' in their town, a group a schoolgirls band together to emact revenge.