Thunder Road

Iris (Laure Calamy) disrupts her bourgeois routine by joining a dating app and embarking on an amusing, sensual quest for identity and lost desire.

Steve Coogan is superb as a disillusioned teacher whose life is turned upside-down when he rescues a penguin in turbulent 1970s Argentina.

French provocateur Alain Guiraudie's rural homecoming story mixing passion, crime, mushrooms and bedroom farce to dizzily involving effect.

Jon drives his mum's corpse across Iceland in Hilmar Oddsson’s darkly comic odyssey of self-discovery and acceptance, beautifully filmed in crisp black and white.

François Ozon’s witty 1930s farce about a penniless actress who finds fame while on trial for murder, featuring a riotous performance from Isabelle Huppert.

Justin Edgar's pioneering feature comedy about a neurotic filmmaker enlisted to make a film with a class of wheelchair-users.

David Cronenberg's award-winning thriller exploring the bizarre lives of identical twins Elliot and Beverly, both played by Jeremy Irons.

The winner of Best Film at the 2019 BFI London Film Festival is a hallucinogenic, intoxicating thriller about child soldiers.

A stunning post-apocalyptic British drama navigating the anxieties of parenthood and the future of the world.

Director Pablo Berger delivers a rich and emotionally engaging dialogue-free animation about friendship, set in a bustling 1980s New York City.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Mavis Beacon Teaches Typing taught millions of people touch typing in the late 80s and through the 90s. But who was the real Mavis Beacon?

Nuri Bilge Ceylan’s follow-up to his Palme d’Or-winning Winter Sleep is a persuasive portrait of a young writer at odds with his hometown and family.

A chance encounter reconnects two men in this heart-breaking lament on love, lust and missed opportunities.

Lila Avilés provides an engaging, behind-closed-doors look at the working environment of a chambermaid in one of Mexico City’s most luxurious hotels.

In this spirited romantic comedy, the footloose and fancy-free Anaïs (Anaïs Demoustier, The New Girlfriend) skips from one lover to the next while trying to find some direction in her life.

Cronenberg’s fully-fledged return to body horror and the cinema of transgression.

A dying landscape is healed against all odds, going on to thrive in astonishing ways, in this hopeful story of ecological regeneration.