A lone female vampire stalks the nocturnal streets of a decaying ghost town, searching for prey. One of the town’s residents is Arash, who through a series of events involving his junkie father, a prostitute and a drug-dealing pimp, encounters the enigmatic bloodsucker and an unlikely love story begins to unfold.
Although set in the fictional Iranian town of Bad City, Ana Lily Amirpour’s arresting debut was shot in California, the story adapted from its previous incarnations as a graphic novel and short film. With its stark black and white photography, Jarmusch-esque deadpan humour and memorable images of a hijab-clad bloodsucker skateboarding the streets, Amirpour’s film is a superbly ambitious exercise in style and atmosphere. If you only see one Iranian vampire western this year, make sure it’s this one.