George Best at 21

Don Revie sits in bed talking to the Sunday papers, barks out instructions in a game at Liverpool, calls out the bingo numbers, and Terry Yorath collects his weekly pay packet.

"The way we're playing I don't want to see an awful lot of them". Typically blunt words from Brian Clough as his team prepare for a visit by Leeds United.

A snapshot of Saturday afternoon football watched by thousands of adoring fans, plus contrasting scenes of Southport and Spurs players in training.

Clement Freud explores the importance of football to the people of Liverpool - be they backing Liverpool or Everton in the FA Cup.

England's 1966 hat-trick hero doesn't sweat the small stuff - or at all, according to this deodorant commercial.

Terrific portrait of Bobby and Jackie Charlton, pillars of football history, at the height of their playing careers

Hangry animals demand better grub in this bizarre advert by E.T. Green

This family favourite is guaranteed to have you singing all the way to the bread bin

Seawards heads a great ship, the biggest of its day

A view down the High Street featuring the Albert Clock, a shot of Queen's Bridge and the docks

Join Belfast’s first female Lord Mayor and reconsider how disabled people navigate the streets of Belfast.

Witness Northern Ireland’s first telecommunications device for Deaf people

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.