Leicester City Football Training

Flush on wages of £160 per week, George Best ponders money in the game, the pressures of fame and his footballing future.

Don Revie sits in bed talking to the Sunday papers, barks out instructions in a game at Liverpool, calls out the bingo numbers, and Terry Yorath collects his weekly pay packet.

"The way we're playing I don't want to see an awful lot of them". Typically blunt words from Brian Clough as his team prepare for a visit by Leeds United.

A snapshot of Saturday afternoon football watched by thousands of adoring fans, plus contrasting scenes of Southport and Spurs players in training.

Clement Freud explores the importance of football to the people of Liverpool - be they backing Liverpool or Everton in the FA Cup.

England's 1966 hat-trick hero doesn't sweat the small stuff - or at all, according to this deodorant commercial.

Pex 'No-Run' nylons, the new innovation for 'smart girls'.

Sheerness in never ladder nylons: the proud boast of Pex's Pin Pin nylons.

Bringing "sweet memories of Uganda" to the East Midlands.

The sari has been worn by Asian women for millennia and in 1976 it was about to become a staple of wardobes across the UK.

The UK's immigration laws have prevented Dara Singh from seeing his family for a decade. His is one of many sad stories...

He arrived in Britain with £3 and went on to become one of the richest business men in the Midlands. How did Amrat Parmar do it?

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.