Bradford Adverts Reel 2

Grumpy Grandma is put in her place during wartime food demonstration

This amazing discovery shows how cinema advertising used to look in Bygone Britain - a truly nostalgic gem of a film for lovers of Britain's past

Adverts: romancing the world – and Ammanford - with golden rings and Scandanavian meat, leather soles and coal, Eve's soap and flowers.

The message for cinema-goers in Port Talbot, Neath and Briton Ferry is that they should shop local!

Step inside a local Edwardian store.

It don’t mean a thing if it ain’t got that bling… early silent cinema advert for a local business in Frome.

Meeting the everyday basic needs of the locals: keeping the family clean, warm and well fed.

Juno-Junipah, for girls, who “want to be bright, vivacious, attractive and slim”, and Carters Little Liver Pills to rejuvenate the elderly.

Tuning into the biggest consumer market for television advertising in Britain with Trident TV.

No wearisome overblown advertising for cinema-goers back in 1931, just straightforward advice: don’t risk accidents and “Don’t buy a dud!”

Numerous victims of the horrendous 1985 fire at Valley Parade manage to find positive outcomes to their suffering in this poignant film.

Prime Minister Harold Wilson opens the University's first building in this celebratory film that acknowledges decades of effort.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.