Saraband

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Ingmar Bergman's excellent ensemble piece concerns a 19th-century mesmerist and a scientist and police chief out to discredit him.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Two sisters, one ailing, the other with her young son, check into a hotel in a foreign city readying itself for war, in Ingmar Bergman's nightmarish vision of emotional isolation.

The first part of Ingmar Bergman's 'Faith Trilogy', about a writer (Björnstrand) who joins his daughter, son and son-in-law on holiday, where tensions soon arise.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Thomas Clay’s unflinching story of teen drugs and violence scandalised the British film industry 20 years ago, but is arguably ripe for rehabilitation

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.