Fanny and Alexander

A young man strives to provide a home for his pregnant girlfriend and their unborn child, in Mark Jenkin's mid-length precursor to Bait.

Olivier Ducastel and Jacques Martineau (directors of Théo and Hugo), serve up a deliciously enigmatic chamber piece.

Federico Fellini’s influential drama follows five young Italian men and their different attempts to disrupt the drudgery of provincial life.

Fellini’s first colour feature is a sensory experience that blends fantasy and reality in rich, evocative ways, following a woman’s self-discovery through stunning visions.

A brutish travelling strongman (Anthony Quinn) acquires a waif-like young assistant (Giulietta Masina) before taking to the road in Federico Fellini’s acclaimed neo-realist fable.

Takeshi Kitano's masterful and meditative gangster film, about a yakuza sent to the beautiful beaches of Okinawa where he has time to ruminate on his fate.

Elliott Gould joins Ingmar Bergman regulars Bibi Andersson and Max von Sydow in this neglected classic from the great director, about infidelity and a toxic love triangle.

Ingmar Bergman’s best-known film is a brilliant allegorical drama starring Max von Sydow as a knight trying to elude his own death.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Ingmar Bergman’s Cannes prize-winning comedy assembles various couples in a country house in 1900.

Ingmar Bergman’s close-up dissection of tortured emotions is fearless, compassionate and invigoratingly cathartic.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Ingmar Bergman’s close-up dissection of tortured emotions is fearless, compassionate and invigoratingly cathartic.

Ingmar Bergman’s best-known film is a brilliant allegorical drama starring Max von Sydow as a knight trying to elude his own death.

Ingmar Bergman’s close-up dissection of tortured emotions is fearless, compassionate and invigoratingly cathartic.

The first part of Ingmar Bergman's 'Faith Trilogy', about a writer (Björnstrand) who joins his daughter, son and son-in-law on holiday, where tensions soon arise.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Ingmar Bergman's highly personal treatise on the torments of faith, in which a widowed village pastor struggles to deal with his parishioners and ex-lover.

Ingmar Bergman’s Cannes prize-winning comedy assembles various couples in a country house in 1900.

On their latest jaunt, Iain Sinclair and Andrew Kötting set out to return a whalebone box to its place of origin in the Outer Hebrides.

A haunting with words is the lure between life and death for a young Cornish poet.

A young man strives to provide a home for his pregnant girlfriend and their unborn child, in Mark Jenkin's mid-length precursor to Bait.

Transcending a portrait of place, the quiet, eternal rhythms of the small fishing cove Penberth are caught, landed and served up in this stark and gentle handcrafted celluloid poem from Mark Jenkin (Bait).

Olivier Ducastel and Jacques Martineau (directors of Théo and Hugo), serve up a deliciously enigmatic chamber piece.

Mark Jenkin (Bait) undertakes a stream-of-consciousness road trip through London in the turblent wake of David Bowie's death.