The Pub with No Name

A compelling glimpse inside an unnamed East End pub in 1963 where a talent show takes place featuring singers and strippers.

Music hall ghosts haunt the Bartons Arms pub in Birmingham; a temple to drink and a rare survivor in a city that has destroyed much of its Victorian architecture.

David Bellamy puts his head into hops, then into a fermenting tank, watches it mash into wort and has a pint – all grist to our engaging presenter.

A polemical film where two men in a pub compare and contrast the post-war resurrection of both Portsmouth and Plymouth after their pummelling by the Luftwaffe.

A non-alcohol-serving pub offers somewhere to go and something to do for teenagers in Burnham-on-Sea.

Real ale and folk music in the pub – performed by Fairport Convention – are celebrated in this portrait of Southwold on the Suffolk coast and the work of the Adnams brewery.

The Buxtons decide to live the good life in Somerset.

If you weren’t a yuppy you were a yoppy on the government Youth Opportunities Programme aimed at placing sixteen to eighteen year-olds in the workplace.

The last working day at the coalface of Kilmersdon Colliery endures a quiet ending.

The process from harvest to basket is highlighted in this report about the willow growers of the Somerset Levels.

There are blizzards of confetti in this wedding montage which also features holidays in the West Country and the Empress Queen

An England team takes on an invitational XI

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

L.A. Confidential's screenwriter explains why he thinks writer's block is a myth, and reveals Clint Eastwood's unique powers of persuasion.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.

Irma Vep writer/director Assayas moved from film journalism to filmmaking – a fascinating journey told with disarming honesty to Jonathan Romney.