Opening Maccabi House in No. 9 Windsor Crescent, Newcastle upon Tyne, by the Rt. Hon. Lord Nathan of Churt

Extremely rare insight in the role of a Hasidic woman, featuring a mother-daughter team who live in North London.

Jewish people - and a few Gentiles - muse on what it means to be Jewish in 1960s Britain

Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe

All good pals and jolly good company! A syndicate of Jewish pensioners from Southend celebrate their big win on the football pools.

A Jewish Eastender recalls growing up in poverty in the 1930s and being part of a community now long gone

An elderly Jewish man journeys to Nazi Germany to track down a refugee’s mother in this extraordinary drama

Tuning into the biggest consumer market for television advertising in Britain with Trident TV.

Is comedian Clive Dunn the Don Draper of the British advertising world? Watch this imaginative Tyne Tees TV marketing film and decide.

Little Andy takes the speedy way to sparkling good health in a zippy 50s cartoon advertisement for Andrews Liver Salts.

A marching band leads the parades with the Boer War still raging

All the fun of the fair in this Victorian film, made in the early years of Newcastle's famous Hoppings

Being wheelchair users is not a barrier to these children doing slaloms or throwing javelins, gaining confidence and changing perceptions.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.