Halifax v Salford (1901)

Lancashire cotton-workers pile out through the mill gates at dinner time.

An astonishingly crowded Victorian street reveals the vast scale of Tyneside manufacturing.

Bicycles and broomsticks at the ready as workers finish shift at a marine engineering works in Victorian Hull.

Victorian Manchester mill workers enjoy the novelty of a moving picture camera.

Worshippers in their Sunday best file out of the Church.

A well-dressed church congregation gathers on the elegant portico.

Dedicated volunteers from Halifax provide a talking newspaper service for locals on cassettes, strangely not motivated by money.

Halifax’s Calderdale Council inspires real and lasting positive change in the community through infrastructure investment in this film.

An experienced Halifax baker takes us behind the counter and showcases his sweet and savoury secrets in this endearing short film.

One of the most industrious and enterprising towns of northern England takes a break to greet the novelty of the movie camera.

Women workers give voice to their puzzlement, anger and despair as years of hard work cleaning laundry for hospitals is discarded.

The lesson here is clear, do the right things in the workplace – wear totectors and Rozalex barrier cream – and all will be well, and if not there is a nurse on hand with a plaster.

Cynthia Rothrock, Richard Norton and Keith Cooke reunite three decades on from the groundbreaking martial arts classic.

Action Xtreme - the UK's leading action film studio - hosts this panel discussion with four leading women in action cinema - Soo Cole, Jo Rolison, Jadey Duffield and Ioanna Karavela.

Daniel Kokotajlo talks to Nia Childs about Starve Acre, his folk horror about a couple digging deep into grief in the heart of the Yorkshire Dales.

Sky Peals director Moin Hussain and lead actor Faraz Ayub talk to Tomisin Adepeju about their magic realist drama.

Documentary exploring the BFI National Archive’s role in rediscovering and remastering the early films of Michael Powell.

Bryony Dixon, curator of silent film at the BFI national archive, explores the origins of a series of comic travelogues, and Michael Powell's involvement in making them.