Buckley's Welsh Ale

Grumpy Grandma is put in her place during wartime food demonstration

This amazing discovery shows how cinema advertising used to look in Bygone Britain - a truly nostalgic gem of a film for lovers of Britain's past

Adverts: romancing the world – and Ammanford - with golden rings and Scandanavian meat, leather soles and coal, Eve's soap and flowers.

The message for cinema-goers in Port Talbot, Neath and Briton Ferry is that they should shop local!

Step inside a local Edwardian store.

It don’t mean a thing if it ain’t got that bling… early silent cinema advert for a local business in Frome.

A tantalizing fragment of a Haggar film of an outing from Llanelli that included shots of “somewhat humorous incidents on board”.

You can experience the Orb Works Carnival and watch a ship being built in Newport, and you can laugh as Jon Pertwee takes to the catwalk years before he travelled in the Tardis.

Llanelli has much to draw businesses and visitors, as this promotional film seeks to show, from brewery to rubber factory and the wonderful scenery beyond.

1969 at 'Castell Gorfod' farm, Llangynin, and Llanelli's 'Parc Howard': ponies, potatoes, poinsettias and toasting the Prince of Wales.

Family Income Supplement: because you’re worth it! Mrs Pugh, as model single mother, is used to encourage eligible viewers to claim this benefit, available from August 1971.

An introduction to Urdd Gobaith Cymru, a youth movement founded in 1922 – and still going strong - to promote the use of the Welsh language through social and cultural activities.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.