What Did the Lady Forget?

Athina Rachel Tsangari's biting and hilarious dissection of the male ego was awarded Best Film at the 2015 BFI London Film Festival.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.

Ozu’s earliest surviving film follows students Watanabe and Yamamoto as they unknowingly compete for the same girl.

In Akira Kurosawa's comedy of manners, a ronin runs rings around nine young, clean-cut samurai while cleaning up a spot of corruption in local government.

Athina Rachel Tsangari's biting and hilarious dissection of the male ego was awarded Best Film at the 2015 BFI London Film Festival.

Femi, a young British boy of Nigerian heritage, has to adapt to the new environment of inner-city London, in this outstanding, BIFA-winning drama from Shola Amoo (A Moving Image).

A lifelong friendship is tested by tragedy in this atmospheric and intense first feature from acclaimed British shorts director Fyzal Boulifa.

The iconic Meiko Kaji's career-defining turn as 'Scorpion', an unjustly imprisoned young woman who must escape to exact revenge upon the man who betrayed her.

An unforgettable mixture of bubblegum teen melodrama and grisly phantasmagoria, Obayashi’s deranged fairy tale House is one of Japanese cinema’s wildest supernatural ventures and a truly startling debut feature.

Japanese cinema's kick-ass heroine Meiko Kaji made her name as leader of a ruthless girl gang - which takes on a crime syndicate - in Yasuharu Hasebe's riotous rebel biker flick.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Ozu’s earliest surviving film follows students Watanabe and Yamamoto as they unknowingly compete for the same girl.

After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from extended family, in Ozu's incisive satire.

Ozu's silent masterpiece follows two brothers as they try to outwit the local bully.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

The surviving, incomplete version of Ozu's moving silent drama about a young man struggling to deal with a disturbing family secret.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.

Chikako (Yoshiko Okada) works hard to pay her brothers Ryoichi’s (Ureo Egawa) college fees, but disaster looms when he learns the true nature of her work.

Shuhei Horikawa (Chishy Ryu) sacrifices his teaching career after an unfortunate accident but refuses to sacrifice the education of his only son.

A lifelong friendship is tested by tragedy in this atmospheric and intense first feature from acclaimed British shorts director Fyzal Boulifa.

A jaded young woman embarks on an odyssey of self-discovery in this radical pink film from experimental film artist, agent provocateur and underground political soldier, Masao Adachi.

A hitman is engaged to track down a kidnapped girl, in this hallucinatory and surreal mix of erotica and yakuza violence from the writer of Branded to Kill.

The iconic Meiko Kaji's career-defining turn as 'Scorpion', an unjustly imprisoned young woman who must escape to exact revenge upon the man who betrayed her.

Athina Rachel Tsangari's biting and hilarious dissection of the male ego was awarded Best Film at the 2015 BFI London Film Festival.

An unforgettable mixture of bubblegum teen melodrama and grisly phantasmagoria, Obayashi’s deranged fairy tale House is one of Japanese cinema’s wildest supernatural ventures and a truly startling debut feature.