The Mask of Satan

Udo Kier stars in Walerian Borowczyk's delirious erotic fever dream, which re-imagines Robert Louis Stephenson's moral tale as a deranged domestic sex farce.

Takashi Miike burst to international prominence with this deeply disturbing tale of a deadly young woman who turns the tables on her middle-aged suitor.

Stunningly photographed drama about a young American boy caught up in the nightmare of a sinister rural community.

Georges Franju’s gorgeous, poetic horror film about a surgeon’s dark obsession with restoring his daughter’s disfigured face.

Lucio Fulci’s sensationally gory zombie horror finds undead hordes overtaking a sleepy New England town, with only a reporter and a local psychic to stop them.

Dennis Wheatley's occult tale is given the Hammer treatment.

Apichatpong's Cannes prizewinner, about an ailing man revisiting his past, is a measured, lyrical evocation of mysterious beauty and quiet humanity.

The BFI National Archive restoration of one of Anthony Asquith's finest silent films set in London's Underground, with a new score.

An ageing countess finds that if she bathes in the blood of virgins her youth is restored.

Willem Dafoe plays the controversial filmmaker Pier Paolo Pasolini in this dark, daring drama about the director’s final days, from Abel Ferrara.

An unforgettable, compelling account of the production and subsequent restoration of a withheld film recording the liberation of Nazi concentration camps in 1945.

A séance results in a man’s first wife returning from the dead in Noël Coward’s wonderful comedy.

Marco Ferreri's provocative and controversial satire about four friends who retreat to a country mansion with the intention of eating themselves to death.

Jean-Luc Godard and Jean-Pierre Gorin's radical film deconstructs both a factory strike and the Hollywood western - simultaneously.

Godard's case study of an Italian girl's inner struggle to reconcile her revolutionary intent with her ingrained bourgeois tendencies.

The first film in Jean-Luc Godard's 'radical' period finds the director rejecting established notions of narrative and authorship to present a dialectic response to the events of May '68.

Godard recreates the trial of the Chicago Eight (charged with protesting the 1968 Democratic Party convention) in typically playful, anarchic and confrontational style.

The Brothers Quay take on the Babylonian epic of Gilgamesh, presenting the character as a childlike figure who sets a series of vicious traps to catch Enkidu, the guileless forest creature.