That Sinking Feeling

An 18th-century Bavarian community falls apart when the local glassmaker dies, in Werner Herzog's mesmerising drama for which he famously directed his actors under hypnosis.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.

Yasujiro Ozu's cheerful comedy about the silliness of everyday chatter

On a Tuscan break a fortysomething woman finds herself drawn to the company of a group of partying teens, including a young Tom Hiddleston (in one of his earliest roles).

Joanna Hogg's sleek and minimalist comedy about a pair of artists and their emotional attachment to their ultra-modernist apartment.

Femi, a young British boy of Nigerian heritage, has to adapt to the new environment of inner-city London, in this outstanding, BIFA-winning drama from Shola Amoo (A Moving Image).

Jessica Hausner’s cool, witty and unsettling sci-fi starring Emily Beecham and Ben Whishaw.

Blistering thriller of a teen groomed to work for a brutal, organised drugs network.

Starring Tom Hiddleston, a family holiday to the Isles of Scilly sees fractures emerge in this sun-filled drama from Joanna Hogg (The Souvenir).

An 18th-century Bavarian community falls apart when the local glassmaker dies, in Werner Herzog's mesmerising drama for which he famously directed his actors under hypnosis.

An outstanding debut feature charting the emotional journey of a six-year old girl in the aftermath of her mother’s death in early 1990s Spain.

Kazuo Hara’s infamous and audacious documentary follows Kenzo Okuzaki, an ageing Japanese WWII veteran on a mission to uncover the truth about atrocities committed during the war in the Pacific.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.