London

Hiroshi Teshigahara's mystifying, serene and provocative fable about an entomologist who becomes trapped in a young widow’s desert shack.

Inside his modest, sparsely-furnished home on the barren, windswept Dungeness coastline, Derek Jarman dreams.

The Angelic Conversation sees Derek Jarman conjure an evocative and radical visualisation of Shakespeare’s love poems. With narration by Judi Dench and music by Coil.

Derek Jarman's passionate and poetic lament on the rise of Thatcherism and corporate dealings.

An evocative animated love story set in the jazz nightclubs of Havana and New York.

A distinctly bold and sensual reclaiming of gay history, Jarman here tells the sexually intense story of the 4th-century martyr.

Derek Jarman’s unique biopic of the 17th century Italian artist Michelangelo da Caravaggio is a powerful meditation on sexuality, criminality and art.

Derek Jacobi and Daniel Craig star as artist Francis Bacon and his muse George Dyer in John Maybury’s darkly exquisite biopic.

On a Tuscan break a fortysomething woman finds herself drawn to the company of a group of partying teens, including a young Tom Hiddleston (in one of his earliest roles).

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Simmering tensions between locals and newcomers in a modern-day Cornish fishing village reach boiling point in this hugely acclaimed British independent film.

Jenny Agutter plays the teenage girl reliant on a young Aboriginal (David Gulpilil) for her survival, in Nicolas Roeg's stunning Australian outback drama.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

The surviving, incomplete version of Ozu's moving silent drama about a young man struggling to deal with a disturbing family secret.

Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece.

In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.