Irma Vep

Ryusuke Hamaguchi’s follow-up to Drive My Car is a hauntingly enigmatic eco-thriller. Winner of Best Film at the BFI London Film Festival.

Billie Piper stars in her own directorial debut, a no-holds-barred, Fleabag-esque anti-romcom about a modern woman’s struggles in work and love.

Imogen Poots grounds Christine Molloy and Joe Lawlor's meditative portrayal of terrorist, disinherited heiress and expectant mother Rose Dugdale.

A Finnish couple facing a marital crisis venture into the world of polyamory, in this mature meditation on love.

A teacher’s life unravels when one of her students is accused of stealing in this arresting, Oscar-nominated thriller.

The rarely seen debut by acclaimed director Luca Guadagnino (Call Me By Your Name) is a bizarre drama-documentary recreating a motiveless London murder.

Fellini triumphantly conjured himself out of writer's block with this magnum opus about a film director experiencing his own creative crisis.

James Franco and Travis Mathews recreate explicit footage cut, rumoured to be lost, from one of the most notorious gay features ever made.

John Hurt stars in Richard Kwietniowski’s comedy of fame and obsession about an older man (Hurt) who becomes infatuated with a young Hollywood actor (Jason Priestley), and proceeds to track him down.

Jacques Rivette’s biggest commercial hit is an exhilarating combination of theatricality, paranoia and ‘la vie parisienne’, around an entrancing examination of making and watching films.

Sight and Sound's 2019 film of the year is the compelling, semi-autobiographical drama from acclaimed writer-director Joanna Hogg.

Bette Gordon’s groundbreaking, gloriously subversive neo-noir thriller is one of the very best American underground films.

The last days of the Sun King, evoked with sombre beauty by Albert Serra. The legendary Jean-Pierre Léaud brings ineffable presence to the title role.

François Truffaut’s French New Wave landmark is one of the greatest movies about adolescence.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

Kristen Stewart reunites with Olivier Assayas to play an A-List celebrity's personal shopper, who keeps receiving strange text messages from an unknown source.

Ryusuke Hamaguchi’s follow-up to Drive My Car is a hauntingly enigmatic eco-thriller. Winner of Best Film at the BFI London Film Festival.

Billie Piper stars in her own directorial debut, a no-holds-barred, Fleabag-esque anti-romcom about a modern woman’s struggles in work and love.

Imogen Poots grounds Christine Molloy and Joe Lawlor's meditative portrayal of terrorist, disinherited heiress and expectant mother Rose Dugdale.

A Finnish couple facing a marital crisis venture into the world of polyamory, in this mature meditation on love.

Powerful adaptation of Truman Capote’s true-crime novel about the massacre of a family in Kansas, and the manhunt for the killers.

Explosive thriller starring Bill Paxton as a small-town Sheriff, out to bust a gang of LA drug dealers… until he learns his ex-girlfriend is one of them.