Interior. Leather Bar.

Fellini triumphantly conjured himself out of writer's block with this magnum opus about a film director experiencing his own creative crisis.

John Hurt stars in Richard Kwietniowski’s comedy of fame and obsession about an older man (Hurt) who becomes infatuated with a young Hollywood actor (Jason Priestley), and proceeds to track him down.

Jacques Rivette’s biggest commercial hit is an exhilarating combination of theatricality, paranoia and ‘la vie parisienne’, around an entrancing examination of making and watching films.

Sight and Sound's 2019 film of the year is the compelling, semi-autobiographical drama from acclaimed writer-director Joanna Hogg.

Greta Gerwig shines as one of four filmmaking friends who find their slasher screenplay idea turning into a terrifying reality.

As she lays in a coma, Leonor becomes the hero of her own story in this gleeful celebration of pulpy Filipino action films.

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.