Interior. Leather Bar.

Fellini triumphantly conjured himself out of writer's block with this magnum opus about a film director experiencing his own creative crisis.

John Hurt stars in Richard Kwietniowski’s comedy of fame and obsession about an older man (Hurt) who becomes infatuated with a young Hollywood actor (Jason Priestley), and proceeds to track him down.

Jacques Rivette’s biggest commercial hit is an exhilarating combination of theatricality, paranoia and ‘la vie parisienne’, around an entrancing examination of making and watching films.

Sight and Sound's 2019 film of the year is the compelling, semi-autobiographical drama from acclaimed writer-director Joanna Hogg.

Greta Gerwig shines as one of four filmmaking friends who find their slasher screenplay idea turning into a terrifying reality.

As she lays in a coma, Leonor becomes the hero of her own story in this gleeful celebration of pulpy Filipino action films.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Thomas Clay’s unflinching story of teen drugs and violence scandalised the British film industry 20 years ago, but is arguably ripe for rehabilitation

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.