Chinese Roulette

Marco Ferreri's provocative and controversial satire about four friends who retreat to a country mansion with the intention of eating themselves to death.

Jean-Luc Godard and Jean-Pierre Gorin's radical film deconstructs both a factory strike and the Hollywood western - simultaneously.

Godard's case study of an Italian girl's inner struggle to reconcile her revolutionary intent with her ingrained bourgeois tendencies.

Mark Rylance stars in the debut feature film from the Brothers Quay. A student at a peculiar school for servants gradually uncovers its secrets and, by extension, those of life itself.

Duane Hopkins’ follow up to Better Things is a striking, poetic drama about a young man on the edge.

In this classic, broiling Australian thriller, an exasperated schoolteacher finds himself stranded in the dusty outback town of Bundanyabba, where the growing isolation and unhinged locals begin to eat away at his sanity.

Peter Lorre is unforgettable as the compulsive child murderer on the run from both police and criminals alike, in Fritz Lang’s seminal crime film.

Klaus Kinski and Werner Herzog’s final collaboration is a typically wild and adventurous story of a bandit who trains an army of female savages to overthrow a slave-trading tribal king.

Fassbinder's exquisitely subtle rendition of Fontane’s great novel, starring the great Hanna Schygulla as the titular 17-year-old who is forced into a socially advantageous marriage with a much older man.

In an elegant Spanish hotel lobby, a film cast and crew outdo one another in displays of professional and sexual rivalry while waiting endlessly for shooting to begin.

Roberto Rossellini’s film with Ingrid Bergman exploring the inner turmoil of a woman pushed to the edge through the guilt of her infidelity.

The concluding part of Roberto Rossellini’s celebrated War Trilogy, set amid the war-torn ruins of Berlin.

Anna Karina shines in Jean-Luc Godard’s critically acclaimed account of a Parisian woman's slow descent into prostitution.

Godard's playful tribute to the Hollywood pulp crime movies of the 1940s, executed with typically Gallic cool.

Fassbinder's visual and verbal extravaganza about a successful but lonely fashion designer who falls in love with a beautiful younger woman.

In an elegant Spanish hotel lobby, a film cast and crew outdo one another in displays of professional and sexual rivalry while waiting endlessly for shooting to begin.

Fassbinder's brilliantly caustic and cynical drama follows an ex-fairground worker who wins the lottery but is still mocked and exploited by his boyfriend’s family and friends.

Fassbinder’s international breakthrough, this unconventional love story combines lucid social analysis with devastating emotional power.

Fassbinder’s first foray into melodrama follows an ex-policeman forced to become a fruit-seller, while his wife craves bourgeois respectability and his family despises his lowly status.

With a blazing star performance from Hanna Schygulla in the title role, this was the greatest critical and commercial success of Fassbinder’s career.

Fassbinder's exquisitely subtle rendition of Fontane’s great novel, starring the great Hanna Schygulla as the titular 17-year-old who is forced into a socially advantageous marriage with a much older man.

Marco Ferreri's provocative and controversial satire about four friends who retreat to a country mansion with the intention of eating themselves to death.

Jean-Luc Godard and Jean-Pierre Gorin's radical film deconstructs both a factory strike and the Hollywood western - simultaneously.

Godard's case study of an Italian girl's inner struggle to reconcile her revolutionary intent with her ingrained bourgeois tendencies.

The first film in Jean-Luc Godard's 'radical' period finds the director rejecting established notions of narrative and authorship to present a dialectic response to the events of May '68.

Godard recreates the trial of the Chicago Eight (charged with protesting the 1968 Democratic Party convention) in typically playful, anarchic and confrontational style.

The Brothers Quay take on the Babylonian epic of Gilgamesh, presenting the character as a childlike figure who sets a series of vicious traps to catch Enkidu, the guileless forest creature.