A Hen in the Wind

Faced with a rapidly ageing population, a government in near-future Japan rolls out an unsettling agenda.

Michael Powell's daring, windswept story of the inhabitants of a remote island who find their way of life threatened by a rapidly industrialising world.

As Brexit looms on the horizon, hundreds of migrant workers arrive in the coastal town of Great Yarmouth looking for work, in Marco Martins’ damning depiction of immigrant life in a fracturing Britain.

A newly promoted detective is assigned to a young woman’s chilling murder in this deeply arresting crime thriller based on true events.

Wanted for killing his boss, Manuel and his wife flee to a primordial violent region in Glauber Rocha's masterpiece and banner film of Brazil's Cinema Novo movement.

A couple find their relationship in a precarious state following a tragedy, in Kōji Fukada’s subtle portrait of the frailty of human relationships.

Academy Award and Palme d'Or-winning adaption of the Orpheus myth, incorporating the music, costume and dance of Brazil’s Rio Festival.

Shockingly explicit, Catherine Breillat’s critically acclaimed Romance is one of the most controversial films of modern cinema.

Ophuls’ exquisite, imaginative adaptation of Arthur Schnitzler’s play about a carousel of erotic encounters involving characters of different social status.

A director struggles to film a difficult sex scene between two actors who happen to hate each other, in Catherine Breillat's witty exploration of intimacy coordination.

Catherine Breillat's rigorously intellectual exploration of sexuality, about a woman who employs a gay man to spend days watching her naked.

Based on the story of Moulin Rouge founder Charles Zidler, Jean Renoir’s tale of an impresario’s commitment to his art is a masterpiece of Technicolor brilliance.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

A seemingly ordinary typist moonlights as a fun-loving gangster's moll in one of Ozu's most enduring silent films.

Ozu's deft comedy takes an ironic look at the decline of paternal authority.

Chikako (Yoshiko Okada) works hard to pay her brothers Ryoichi’s (Ureo Egawa) college fees, but disaster looms when he learns the true nature of her work.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Ozu's wonderfully poised ensemble work presents the intricacies and contradictions of three generations who have lived through the end of an era and are looking towards the new.

Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.

A constant fixture in critics' polls, Yasujirō Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

A seemingly ordinary typist moonlights as a fun-loving gangster's moll in one of Ozu's most enduring silent films.

Shoji (Ryu Ikebe) and his wife Masako (Chikage Awashima), struggle with a family tragedy. When Shoji's interest turns to the office flirt, the couple's fragile peace is threatened.

Faced with a rapidly ageing population, a government in near-future Japan rolls out an unsettling agenda.

Michael Powell's daring, windswept story of the inhabitants of a remote island who find their way of life threatened by a rapidly industrialising world.

The psychedelic physicality of this mortal coil – journey into the systems that comprise the human body in this fascinating sensory experience.

As Brexit looms on the horizon, hundreds of migrant workers arrive in the coastal town of Great Yarmouth looking for work, in Marco Martins’ damning depiction of immigrant life in a fracturing Britain.

A newly promoted detective is assigned to a young woman’s chilling murder in this deeply arresting crime thriller based on true events.

Wanted for killing his boss, Manuel and his wife flee to a primordial violent region in Glauber Rocha's masterpiece and banner film of Brazil's Cinema Novo movement.