Late Autumn

A young man strives to provide a home for his pregnant girlfriend and their unborn child, in Mark Jenkin's mid-length precursor to Bait.

Olivier Ducastel and Jacques Martineau (directors of Théo and Hugo), serve up a deliciously enigmatic chamber piece.

Federico Fellini’s influential drama follows five young Italian men and their different attempts to disrupt the drudgery of provincial life.

Fellini’s first colour feature is a sensory experience that blends fantasy and reality in rich, evocative ways, following a woman’s self-discovery through stunning visions.

A brutish travelling strongman (Anthony Quinn) acquires a waif-like young assistant (Giulietta Masina) before taking to the road in Federico Fellini’s acclaimed neo-realist fable.

Takeshi Kitano's masterful and meditative gangster film, about a yakuza sent to the beautiful beaches of Okinawa where he has time to ruminate on his fate.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Yasujiro Ozu's influential masterpiece is a tender meditation on family politics, sacrifice and the status quo.

Ozu's deft comedy takes an ironic look at the decline of paternal authority.

Profiling one of the great directors of World Cinema, Wim Wenders delivers this moving portrait of Japanese auteur Yasujiro Ozu.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.

After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from extended family, in Ozu's incisive satire.

Abandoned by their mother, sisters Akiko (Ineko Arima) and Takako (Setsuko Hara) live with their father Shukichi (Chishu Ryu). When Akiko falls into desperate trouble, she turns away from her family.

Kurosawa's first post-war film stars Setsuko Hara as the privileged daughter of a professor who takes up arms against the Japanese military.

Ozu's wonderfully poised ensemble work presents the intricacies and contradictions of three generations who have lived through the end of an era and are looking towards the new.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Yasujiro Ozu's influential masterpiece is a tender meditation on family politics, sacrifice and the status quo.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

The surviving, incomplete version of Ozu's moving silent drama about a young man struggling to deal with a disturbing family secret.

Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.

Chikako (Yoshiko Okada) works hard to pay her brothers Ryoichi’s (Ureo Egawa) college fees, but disaster looms when he learns the true nature of her work.

On their latest jaunt, Iain Sinclair and Andrew Kötting set out to return a whalebone box to its place of origin in the Outer Hebrides.

A haunting with words is the lure between life and death for a young Cornish poet.

A young man strives to provide a home for his pregnant girlfriend and their unborn child, in Mark Jenkin's mid-length precursor to Bait.

Transcending a portrait of place, the quiet, eternal rhythms of the small fishing cove Penberth are caught, landed and served up in this stark and gentle handcrafted celluloid poem from Mark Jenkin (Bait).

Olivier Ducastel and Jacques Martineau (directors of Théo and Hugo), serve up a deliciously enigmatic chamber piece.

Mark Jenkin (Bait) undertakes a stream-of-consciousness road trip through London in the turblent wake of David Bowie's death.