The Severed Sun

Julia Ducournau follows her Palme d’Or-winning Titane with this powerful family drama starring Tahar Rahim and Golshifteh Farahani.

A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

Snowtown director Justin Kurzel’s first foray into documentary is an intimate portrait of iconic Australian musician and composer Warren Ellis.

Julia Ducournau follows her Palme d’Or-winning Titane with this powerful family drama starring Tahar Rahim and Golshifteh Farahani.

São Paulo’s streets can offer danger or opportunity, and for Baby, a young gay man carving out his own existence, they deliver both.

Mavis Beacon Teaches Typing taught millions of people touch typing in the late 80s and through the 90s. But who was the real Mavis Beacon?

Huw Wahl’s immersive, meditative exploration into engineless sailing, shot over three years with a 1960s hand-wound camera.

An award-winning documentary following young activists in Sudan as they oppose a military crackdown.

Terence Davies' elegant and deeply moving biopic of poet Emily Dickinson, played with sensitivity and rebellious spirit by Cynthia Nixon.

Nuri Bilge Ceylan’s follow-up to his Palme d’Or-winning Winter Sleep is a persuasive portrait of a young writer at odds with his hometown and family.

A chance encounter reconnects two men in this heart-breaking lament on love, lust and missed opportunities.

Lila Avilés provides an engaging, behind-closed-doors look at the working environment of a chambermaid in one of Mexico City’s most luxurious hotels.

In this spirited romantic comedy, the footloose and fancy-free Anaïs (Anaïs Demoustier, The New Girlfriend) skips from one lover to the next while trying to find some direction in her life.

Cronenberg’s fully-fledged return to body horror and the cinema of transgression.

A dying landscape is healed against all odds, going on to thrive in astonishing ways, in this hopeful story of ecological regeneration.