No Home Movie

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

All We Imagine as Light director Payal Kapadia’s bold and distinctive feature debut explores the political climate of contemporary India.

Chantal Akerman's magnificent epic of experimental cinema offering a feminist perspective on recurrent events of everyday life.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Song, dance and romance charge this joyous hair-salon set musical, but Akerman’s take on 80s consumerism is anything but frothy.

Surrounded by unpacked boxes, a man delivers an extended monologue on indecision and regret.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Chantal Akerman reads letters sent to her from her mother in Belgium, against a tableau of shots of 1970s New York.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.

Unfolding against the stunning backdrop of a remote Italian mountain village, Maura Delpero’s film is a hauntingly beautiful period tale of family life gradually torn apart.

The importance of human connection lies at the heart of this powerful, nuanced portrait of a young Portuguese warehouse employee in Scotland.

Co-written with Céline Sciamma, Noémie Merlant’s bright and bold film follows three friends as they try to dispose of the body of an abuser they’ve accidentally killed.

A professor takes drastic action to silence a barking dog in this superb debut feature from Bong Joon-ho, the Oscar-winning director of Parasite.

A pair of detectives clash trying to solve the brutal murder of two women, in Bong Joon-ho’s masterful blend of true crime and dark social satire.