Saute ma ville

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Alejandro González Iñárritu's (Birdman, The Revenant) gripping debut feature is a savagely brilliant triptych around the theme of animalistic desires.

Matt Dillon and his not-so-merry band of junkies rob pharmacies and cheat death.

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Following the Six-Day War in 1967, a young Palestinian refugee boy yearns to be reunited with his father and joins a band of freedom fighters.

Heart-pounding Danish drama about a mother’s desperate attempts to unmask her daughter’s attacker on board a cruise ship.

After his mother wakes from a coma in 1990, a young man goes to great lengths to pretend East Germany still exists in this wonderfully bittersweet tragicomedy.

Chantal Akerman's magnificent epic of experimental cinema offering a feminist perspective on recurrent events of everyday life.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Song, dance and romance charge this joyous hair-salon set musical, but Akerman’s take on 80s consumerism is anything but frothy.

Surrounded by unpacked boxes, a man delivers an extended monologue on indecision and regret.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Chantal Akerman’s rigorously observational portrait of her late mother takes on a whole new significance in the wake of the director’s own premature passing.

Chantal Akerman reads letters sent to her from her mother in Belgium, against a tableau of shots of 1970s New York.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

Chantal Akerman's adaptation of Marcel Proust’s The Prisoner is a beguiling study of tortured relationships, voyeurism and possessive love.

Alejandro González Iñárritu's (Birdman, The Revenant) gripping debut feature is a savagely brilliant triptych around the theme of animalistic desires.

Matt Dillon and his not-so-merry band of junkies rob pharmacies and cheat death.

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A British-Palestinian drag performer catches the eye of a strait-laced white man in Amrou Al-Kadhi’s stunning, semi-autobiographical debut.

Following the Six-Day War in 1967, a young Palestinian refugee boy yearns to be reunited with his father and joins a band of freedom fighters.