Genevieve

Iris (Laure Calamy) disrupts her bourgeois routine by joining a dating app and embarking on an amusing, sensual quest for identity and lost desire.

Steve Coogan is superb as a disillusioned teacher whose life is turned upside-down when he rescues a penguin in turbulent 1970s Argentina.

French provocateur Alain Guiraudie's rural homecoming story mixing passion, crime, mushrooms and bedroom farce to dizzily involving effect.

Jon drives his mum's corpse across Iceland in Hilmar Oddsson’s darkly comic odyssey of self-discovery and acceptance, beautifully filmed in crisp black and white.

François Ozon’s witty 1930s farce about a penniless actress who finds fame while on trial for murder, featuring a riotous performance from Isabelle Huppert.

Justin Edgar's pioneering feature comedy about a neurotic filmmaker enlisted to make a film with a class of wheelchair-users.

Lindsay Anderson’s fantastic first feature masterfully dissects the brutal life struggles of a rough-edged rugby footballer on and off the field.

Alan Clarke’s film of a day in the life of a professional footballer as he deals with the newfound pressures of money, glamour and celebrity in the 1970s game.

Goals and glamour go together in this high-scoring drama of football league corruption with Thora Hird, Diana Dors and John Laurie.

A day in the life of North London non-leaguers Hendon F.C., seen through the eyes of their club mascot, carpet fitter Dave Garner.

A cricketing comedy of manners exploring white and black stereotypes, from pioneering British filmmaker Horace Ové.

When the RAF tries to take over an island for target practice, the locals rally to prevent them.

Nuri Bilge Ceylan’s follow-up to his Palme d’Or-winning Winter Sleep is a persuasive portrait of a young writer at odds with his hometown and family.

A chance encounter reconnects two men in this heart-breaking lament on love, lust and missed opportunities.

Lila Avilés provides an engaging, behind-closed-doors look at the working environment of a chambermaid in one of Mexico City’s most luxurious hotels.

In this spirited romantic comedy, the footloose and fancy-free Anaïs (Anaïs Demoustier, The New Girlfriend) skips from one lover to the next while trying to find some direction in her life.

Cronenberg’s fully-fledged return to body horror and the cinema of transgression.

A dying landscape is healed against all odds, going on to thrive in astonishing ways, in this hopeful story of ecological regeneration.