An American in Paris

Like the gloriously camp, all-singing, all-dancing cousin of The Third Man, the Archers’ take on Strauss’s operetta of infidelity is as frothy as the champagne it celebrates.

Neeta and her crew rise to dancehall fame in North West London's Caribbean community, in the first Black British musical.

Jolly gender-swapped musical version of Cinderella, featuring a play within the film in which the characters star in ‘A Midsummer Night’s Dream’.

A Boy George-obsessed smalltown boy joins the South African Defence Force army choir, in this quirky Apartheid-era musical drama.

Ryan Gosling and Emma Stone channel old-school Hollywood glamour in this bright and playful romantic musical from director Damien Chazelle (Whiplash).

Spike Lee’s bold and vivacious hip-hop musical restages an ancient Greek battle-of-the-sexes in 21st-century Chicago.

Tilda Swinton stars in Sally Potter's dazzling interpretation of Virginia Woolf's novel.

Humphrey Bogart and Ingrid Bergman star in the eternal story of love, loss and redemption; the ultimate testament to the brilliance of Golden Age Hollywood.

Thorold Dickinson's most dazzling success, based on Pushkin’s 1834 tale of black magic and gambling.

Alfred Hitchcock's first sound film sees a young woman blackmailed for a murder she was forced to commit.

Bryan Forbes directs the Oscar-nominated story of a French woman (Leslie Caron) moving to London while unmarried, pregnant, and alone.

A tragedy shatters the idyllic world of a family living off-grid in the Norwegian wilderness.

Captivating insight into the controversial filmmaker Leni Riefenstahl, who became world-famous for her Nazi propaganda.

A candid portrait of a literary sensation that’s as enchanting as O’Brien’s wonderful novels.

Steve Coogan is superb as a disillusioned teacher whose life is turned upside-down when he rescues a penguin in turbulent 1970s Argentina.

An online scam leads to deadly consequences in Kurosawa Kiyoshi’s chilling tech thriller.

Tensions rise in a frenzied New York diner, in this loose reworking of Arnold Wesker’s 1957 play.