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They seem to be a normal family but when the enigmatic house guest, Red Miss, returns home, normality turns swiftly to nightmare.

Princess doesn’t say much. She loves her dad, but charity does not always start at home.

In the land of fertile field, an escape to happiness is always promised, at least on the surface anyway.

When Emily is given a mysterious Christmas box from her grandmother, she rediscovers her sense of imagination.

Judy and Alan have vowed to stay true and to love each other for better or for worse. This is the worse.

After Christopher becomes a prisoner in his own home, the persistence of a scratchy stranger tugs him back into reality- feet first.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.