Cobbler Makes Cricket Boots for World's Cricket Stars

Probably the first ever cricket film: Indian cricketing royalty prepares for the first test between England and Australia at Sydney.

Interview with International and Somerset cricketers Ian Botham and Viv Richards

Rain may stop play, but never the British sense of humour.

Sevenoaks Vine Cricket Club hosts a women's cricket match between the Kent XI and the touring Australian team.

Cricketing legend Mike Atherton joins BFI senior curator Steve Bryant on a tour through a century of cricket on film.

First-class big-hitters from the county team, including Rupert Webb, take on Horley in this exciting colour film from 1960’s Sussex

Alf Morris, Minister for the Disabled explains why use of the Invacar is to be phased out, to the dismay of some disabled drivers.

From bikes to biplanes: anything goes in Northampton's annual hospital fund-raiser.

Your employer is relocating to Northampton. Will this film convince you it's a good idea for you too?

What happens when a career in professional sport comes to a dramatic end? Former cricketer Colin Milburn has decided to look for a job.

With the horrific effects of gas warfare still fresh in the memory, rubberised men – like extras from a 1950s British sci fi movie – prepare for more, with 1940s attention to detail.

Follow working narrow boats as they make their 60-hour trip from London to Birmingham along Britain's longest industrial waterway.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.