The Man Who Changed His Mind

A pastor’s daughter in an isolated religious community kills her abusive husband, unleashing the force of a supernatural Beast.

A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

Sublime and suspenseful version of the popular John Buchan spy thriller from the master of suspense himself, Alfred Hitchcock.

H.G. Wells' chilling vision of the future, which imagines the 20th Century as a near-endless war and struggle against tyranny, remains a key milestone in British science fiction.

An old woman disappears mysteriously on a busy train in Hitchcock’s delightful classic.

Ralph Richardson and Laurence Olivier star in a spy drama about the disappearence of prototype military aircraft.

Powell and Pressburger's most personal film combines a Chaucer-inspired pilgrimage with a war-time celebration of English landscape and values to create a gem of British cinema.

Arguably the essential Dickens adaptation, David Lean’s evocative portrayal of Victorian London in sooty black and white features Alec Guinness as a memorably sinister Fagin.

The occupants of an old house are menaced by a dead - and very angry - Egyptologist.

A loose adaption of The Taming of the Shrew, with Thelma Todd as a spoilt heiress who can’t stand her suitor.

Tense, morally complex political thriller about a man hunting down fugitive war criminals from the Assad regime in Syria, inspired by true events.

Tom Blyth and Russell Tovey lead a Sundance-prize winning ensemble in this knockout cruising drama from debut director Carmen Emmi.

Paul Kelly’s second collaboration with pop band Saint Etienne traces the hidden history of East London’s Lower Lea Valley before its Olympic makeover.

A gentle and sincere story of queer love between two young teenage boys, told with warmth and humour.

A journey from London’s suburbs to its heart, charting the influence of the city on indie pop band Saint Etienne.

The final part of Saint Etienne and Paul Kelly’s London trilogy follows the renovation and reopening of the Royal Festival Hall through 2005-7.