My Brother the Devil

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.

Clio Barnard's film about Bradford playwright Andrea Dunbar mixes reconstruction, interviews (performed by actors) and scenes from the plays.

Ashley Walters impresses in the hard-hitting Hackney drama that’s still one of the best of Britain’s black urban crime films.

Mathieu Kassovitz’s landmark mid-90s drama throws a cinematic Molotov cocktail at structural racism, police brutality and media manipulation.

David Bowie’s image and music gives brooding energy to this tale of a junkie sex-worker in 70s Berlin.

Directed by Dennis Hopper (Easy Rider) this story of a blue-collar family coming apart features an astonishing performance from Linda Manz (Days of Heaven).

Twenty-five years old and newly restored, Gary Oldman’s BAFTA-winning debut as writer-director remains a magnificent achievement.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.