Almost Human

Mingo, Jerry and Thea: names of the dogs or people seen? Either way, they will be connected, for sure, with Isla Johnston of Bryn Mêl, Glyngarth, Anglesey, who shot the footage.

The quirks of a whippet race, with novices in winklepickers learning from the old hands, all fully elucidated in broad West Yorkshire dialect.

An English Bull Terrier warns wartime cinema goers to put their cigarettes out with more care.

Gardener’s nightmare: a kitten at large in a flower bed!

Little disturbs the peace in Little London - despite some foxhunting, polo and the Second World War!

Oh to be Ginger Tom the cat and while away the hours!

Actor, comedian, and Monty Python, John Cleese plays to type as a sophisticate loony in this advertisement for Pye Electronics of Cambridge.

University teams navigate a bend on the river Cam in no ordinary rowing race.

First catch your wriggly pig! Pig rearing from birth to market, and the sale of pedigree pigs overseas. A classroom film by Hugh Brandon-Cox.

Anglia TV report on the young disabled entrepreneur that has invented the Lightwriter, a communication device that won a British Design Award

How factually accurate is the 1979 American sci-fi movie 'The Black Hole'? Physicist Professor Stephen Hawking sheds light on the matter.

Disabled graduate Peter Thweeney simply wants the opportunity to be economically independent, and has ambitions to become a lawyer.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.