Workers Leaving Guest and Chrimes Brassworks, Rotherham (1901)

Lancashire cotton-workers pile out through the mill gates at dinner time.

An astonishingly crowded Victorian street reveals the vast scale of Tyneside manufacturing.

Bicycles and broomsticks at the ready as workers finish shift at a marine engineering works in Victorian Hull.

Victorian Manchester mill workers enjoy the novelty of a moving picture camera.

Worshippers in their Sunday best file out of the Church.

A well-dressed church congregation gathers on the elegant portico.

Edwardian workers react to the camera at one of Rotherham's major employers.

Naturalist Michael Clegg retraces the paths of merchants who travelled from Cheshire to Rotherham with their goods.

A genuinely fascinating businessman, with workman’s hands, an old battered Austin, still labouring at 77, and keeping many a church going.

This is an absorbing film of a Remembrance Day service and procession in Rotherham, unusual in being held in wartime, and made more poignant for being so.

Victorian ironworkers emerge from the grand entrance of a long-established South Yorkshire firm.

A ropey pitch and worse goalkeeping in a typical non-league football derby in Edwardian Yorkshire.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.