Work Party

An enticing government call for men to retrain as skilled engineers to help with the war effort.

Wartime news magazine for factory workers, sponsored by the Ministry of Supply. News items often stressed the value of the 'factory front'.

A wartime magazine made to motivate and inform war workers, commissioned by the Ministry of Information in 1942 and exclusively screened in factories.

A Second World War propaganda film, looking at the industrial might behind Great Britain’s armed forces.

Shipwrights, plate-fitters and riveters support the war effort as their ships take majestic shape in this tour of British shipyards.

Meat and wheat, oranges and eggs (dried), salmon and peaches (tinned) arrive in Cardiff from Brazil, America, Canada and New Zealand to keep war-time’s wolf from the allied door.

Journalists congregate outside the Japanese embassy in London following the announcement of the death of the Emperor Meiji.

Geeky Pavan takes his 'English Rose' on a date to the most authentic Indian restaurant in the city. To his horror she goes off-menu, in Hindi...

Capital scenes thanks to Victorian filmmakers

The Band of the First Life Guards approaches Westminster Bridge during Queen Victoria’s Diamond Jubilee.

A conquering Boer War hero enjoys a rapturous homecoming parade

A sports day gives the young residents of the Foundling Hospital a chance to let off steam

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.