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This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Chantal Akerman's magnificent epic of experimental cinema offering a feminist perspective on recurrent events of everyday life.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Song, dance and romance charge this joyous hair-salon set musical, but Akerman’s take on 80s consumerism is anything but frothy.

Surrounded by unpacked boxes, a man delivers an extended monologue on indecision and regret.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Chantal Akerman reads letters sent to her from her mother in Belgium, against a tableau of shots of 1970s New York.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

Surrounded by unpacked boxes, a man delivers an extended monologue on indecision and regret.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Thomas Clay’s unflinching story of teen drugs and violence scandalised the British film industry 20 years ago, but is arguably ripe for rehabilitation

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.