Workers at Jesse Crossley & Sons Ironworks, Ripley (1900)

Lancashire cotton-workers pile out through the mill gates at dinner time.

An astonishingly crowded Victorian street reveals the vast scale of Tyneside manufacturing.

Bicycles and broomsticks at the ready as workers finish shift at a marine engineering works in Victorian Hull.

Victorian Manchester mill workers enjoy the novelty of a moving picture camera.

Worshippers in their Sunday best file out of the Church.

A well-dressed church congregation gathers on the elegant portico.

A grand coach tour makes its way to Hampshire, Dorset and Devon, leaving London far behind

A brick seems a very simple thing, but here we see all that goes into making the great diversity of bricks that make up our built environment.

This gentle portrait of Nidderdale brings out a sense of place that is revealed through the eyes of someone who has spent a lifetime getting to know its many charms.

Very early footage of a vast industrial site in Ripley, and the folk who manned the machines.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.