I Am Weekender

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

All We Imagine as Light director Payal Kapadia’s bold and distinctive feature debut explores the political climate of contemporary India.

Mark Jenkin follows Bait with this chilling, endlessly mysterious folk horror tale, beautifully shot on grainy 16mm.

A closeted PE teacher reckons with her identity during Thatcherite Britain in Georgia Oakley’s delicate yet gripping BAFTA-nominated debut.

Paul Mescal and Emily Watson star in this gripping Irish psychological drama that asks how far you might go to protect someone you love.

One dress changes everything for a family in Dionne Edwards’ brilliant debut. Defiant, uplifting and with music at its core.

Two sisters in WWII Britain invent a machine that can decode TV broadcasts from the future, in this irresistible found-footage sci-fi that buzzes with timeless ingenuity.

A gorgeous and colourful heart-warming gem from Charlotte Regan, one of the best new voices in British film.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.